“Sound”, for sounds and instruments (2023) – 55′ – [op. 41]

Premier épisode, « … autant choisir son bruit… » « … autant choisir son bruit… » [0› – 6’52’’] Intermezzo I [6’52’’ – 8’28’’] Coda…

Read more “Sound”, for sounds and instruments (2023) – 55′ – [op. 41]

I asked Pennati what he has thought of Koh Tao, for ensemble and electronics (2021) – 13′ – [op. 40]

E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]

dedicato all’Arsenale, ai loro primi 15 anni [it] “E” di Camillo Pennati. Le parole scivolano e si arrotolano dentro una sin…

Read more E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]

MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]

[en] The idea of the MetActions – a series of sonic metaphors of sonic scores – is to use sound as a score. Performers…

Read more MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]

Intermezzo, for piano and electronics (2019) – 8′ – [op. 34]

Intermezzo [op.34] for piano and electronics dedicated to Franco Venturini [it] L’Intermezzo è in questo senso la transizion…

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Comme le vent c’est nu c’est de l’encre, for ensemble and electronics (2019) – 16′ – [op. 33]

Comme le vent c’est nu c’est de l’encre [op. 33] for ensemble [Fl., Ob., Cl., Trbn. Pf. Vl, Va., Vc] and electro…

Read more Comme le vent c’est nu c’est de l’encre, for ensemble and electronics (2019) – 16′ – [op. 33]