Ora, for sounds and instruments (violin, flute and percussions) (2024) – 30′ – [op. 42]
Per elettronica, flauto, violino e percussioni / Pour électronique, flute, violon et percussions / For electronics, flute, violin and percussions Using AUDIO SCORES Read THOSE LITTLE THINGS THAT CANNOT BE REDUCED TO THE WHOLE THAT MAKE ART A FORM OF RESEARCH (AND VICE VERSA): COM…
Read more Ora, for sounds and instruments (violin, flute and percussions) (2024) – 30′ – [op. 42]
“Sound”, for sounds and instruments (2023) – 55′ – [op. 41]
Premier épisode, « … autant choisir son bruit… » « … autant choisir son bruit… » [0› – 6’52’’]Intermezzo I [6’52’’ – 8’28’’]Coda I [8’28’’ – 10’44’’]Lucia [10’44’’ – 19’56’’]Répétition [19’56’’ – 24’] Deuxième épisode, « … si le son se séparait de son essence mélodique… » Myrtill…
Read more “Sound”, for sounds and instruments (2023) – 55′ – [op. 41]
Were You There at the Beginning, for sounds and lights (2022) – 30′
Musical creation: Collectif /nu/thing (Andrea Agostini, Daniele Ghisi, Eric Maestri, Andrea Sarto)Visual creation: Studio ExperiensS (Thomas Bouaziz)Duration: 30 minutes Commissioned by Monde Nouveux, Ministère de la culture et de la communication for the inauguration of Ircam’s …
Read more Were You There at the Beginning, for sounds and lights (2022) – 30′
E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]
dedicato all’Arsenale, ai loro primi 15 anni [it] “E” di Camillo Pennati. Le parole scivolano e si arrotolano dentro una sintassi strana; vertigine. Un mondo si crea; i tifoni e i maremoti sono pieni di densità di blu, plankton, fiumi, pianure, erbe, radiazioni. Le tracce sono qu…
Read more E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]
Musiciens, un podcast-composé / a podcast-composed (2020) – 1h55m – [op.38]
Une enquête-composée / a enquiry-composed
MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]
[en] The idea of the MetActions – a series of sonic metaphors of sonic scores – is to use sound as a score. Performers must listen to these sounds through headphones and imitate them. This aural score uses electronic sounds, mostly synthetic and environmental sounds, which are no…
Read more MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]
Margini, for piano (2019-20) – 25′ – [op. 36]
[it] Margini del pianoforte; margini dei pensieri intorno alle note, alla notte, una ad una. Un flusso. Un libro di pezzi per pianoforte. Prendere dei frammenti, osservarli come delle tracce trovate per caso in un cassetto; ripeterli e percorrerli come una cosa sconosciuta. Riper…
Consolations, for piano (2019) – 11′ – [op. 35]
Consolations, for piano (2019) – 11′ – [op. 35] [it] Ripetere può diventare un’ossessione. Quando la ripetizione non ripete precisamente quello che dovrebbe ripetere allora hai l’impressione che il tempo ti sfugga dalle mani, che ti anticipi sempre e che non puoi fare altro che s…
Intermezzo, for piano and electronics (2019) – 8′ – [op. 34]
Intermezzo [op.34] for piano and electronics dedicated to Franco Venturini https://www.youtube.com/watch?v=HfaW0_vM2Kg [it] L’Intermezzo è in questo senso la transizione da un momento all’altro. All’inizio premi, premi, colpisci; poi colpisci ancora più forte, con tutto il corpo….
Read more Intermezzo, for piano and electronics (2019) – 8′ – [op. 34]
Comme le vent c’est nu c’est de l’encre, for ensemble and electronics (2019) – 16′ – [op. 33]
Comme le vent c’est nu c’est de l’encre [op. 33] for ensemble [Fl., Ob., Cl., Trbn. Pf. Vl, Va., Vc] and electronics commissioned by Ircam-Centre Pompidou Ensemble L’instant donné Computer Music Design, Eric maestri and Benoit Meudic Piece composed at the Ircam studios in Paris a…
Trans, for tenor saxophone and electronics (2018-19) – 14′ – [op. 32]
Trans for tenor saxophone and electronics (2018-19) – 14′ – [op. 32] commissioned by ensemble l’imaginaire premiered in Strasbourg by Philippe Koerper [it] Trans significa per me l’idea di attraversare, di avanzare; il brano rappresenta quest’idea di movimento continuo verso un’o…
Read more Trans, for tenor saxophone and electronics (2018-19) – 14′ – [op. 32]
Rests, for electronics (2018) – 19′ – [op. 31b]
Rests, for electronics (2018) – 19′ – [op. 31b] [it] Rest comincia da residui di storie. La musica stessa è una storia. Una metafora sonora. Un sotto-testo che non appare mai fonda questo pezzo, che parte dai rimasugli di op. 31a, e li usa, posiziona. Rifletto sul suono e il suon…
…di storie [Résidus d’histoires], multichannel electronics (2017) – 15′ – [op.31a]
Commission: MIM (Musique Informatique Marseille) Premiere: December 7th 2017, Cité de la musique, Marseille Co-author: Laura Odasso Technique: multichannel (4 to 8 channels) Coproduction: LabEX MED, AMU Université Artistic residency: Fondation Camargo [it] Résidus d’histoires com…
Read more …di storie [Résidus d’histoires], multichannel electronics (2017) – 15′ – [op.31a]
L’obscurité environnante se déchire, s’éclaire, for oboe, violin and cello (2017) – 11′ – [op.30]
L’obscurité environnante se déchire, s’éclaire instrumentation: oboe, violin, cello duration: 11′ Written for Ensemble Recherche first performance: 1/12/2017, Haus der Musik, Stuttgart [it] Il brano gioca con l’idea del divenire, ne fa il fulcro stesso dell’immagina…
I mille fuochi dell’universo, for ensemble and electronics (2017) – 38′ – [op.29]
/nu/thing I MILLE FUOCHI DELL’UNIVERSO première in Milano Musica (28 – 29 october 2017, Hangar Bicocca) MDI ensemble Commision: Festival Milano Musica, Siemens Foundation « Che cos’è l’uomo nella natura? Un nulla in confronto all’infinito, un tutto in confronto al nulla, un qualc…
Read more I mille fuochi dell’universo, for ensemble and electronics (2017) – 38′ – [op.29]
Recombinant #3, with Olivier Perriquet, video (2017) – 5′ – [op.28]
Partant de nulle part pour arriver nulle part, Recombinant #3 est un mélange de deux travellings dont le résultat est une expérience visuelle et sonore hypnotique aux limites de l’abstraction. video, Olivier Perriquet (http://cesium-133.net) music, Eric Maestri (http://ericmaestr…
Read more Recombinant #3, with Olivier Perriquet, video (2017) – 5′ – [op.28]
Le cose – monographic CD/Stradivarius – ensemble l’instant donné – 62′
CD release: January 15th 2017 stradivarius amazon itunes qobuz About the CD: critics —> Percorsi Musicali —> Ondarock Eric Maestri, Le Cose Autoritratto II, (2012), piano solo/for piano solo, 3’42” Autoritratto I, (2012), per pianoforte e trio d’archi/ for…
Read more Le cose – monographic CD/Stradivarius – ensemble l’instant donné – 62′
Blu, for e-guitar and string trio (2016) – 14′ – [op.27]
Blu, for e-guitar and string trio first performance: 22 October 2016, Tokyo Opera Hall, Tokyo, Japan Commissionned by Norio Sato and Ensemble Nomad Presentation (English) «Blu is the title of a new piece for electric guitar and string trio, commissioned by Norio Sato and the Ense…
Read more Blu, for e-guitar and string trio (2016) – 14′ – [op.27]
Ancora ancora la notte, string trio (2015) – 15′ – [op.26]
Ancora ancora la notte string trio, 15′ dedicated to Saori Furukawa and L’Instant donné